Tigers in the local branch


Wednesday, 31 March

It was exceptionally warm at the university today and I have been grumpy and irritable all day because Leonard will not allow me to cut my hair until the first portrait is finished. I sincerely hope that we finish it before the summer arrives. 

Another postcard from Leonard arrived this morning. The picture on the front is Paul Cezanne’s View from L’Estaque and the message on the reverse made me smile as the tone is reminiscent of the polite but awkward conversations that took place between us in the early stages of our friendship (and his playful sense of humour peeks through in the final line):

‘Fifty-four years ago, I was looking at a reproduction of this painting when a young Hindu clerk in Lloyd’s – (Cox’s & Kings agents) Bank – pointed and said: “My father has the Himalayas at the bottom of our garden…with tigers available in the hills on either side.” The framed print, in a Delhi branch, was a welcome reminder of Europe; and Bernard Shaw’s observation that: ‘British’ India, like the U.S.A., in relation to England, were two nations separated by a common language. Thank you for your friendship – your partikoolarly attentive artist, L.’





Chirping, muttering and groaning



Saturday, 27 March



I must say that it has been an enlightening few weeks! Leonard’s ‘lecture’ on magical words in the Gospels was fascinating and my understanding of these biblical passages has been challenged on a number of levels. He is not as mad as I first thought and I’m starting to agree with him in some respects…or maybe I’m just going mad too! I have resolved my inability to remember the finer points of our discussions by taking a notepad to my sessions at Elmfield House, but I suspect that Leonard would not approve of my sneaky record-keeping (particularly since he frequently stresses the importance of secrecy) and so I will be very discreet and try to make notes as soon as possible after each session; on the return bus journey home if not in the bathroom when changing back into my everyday clothes. 

During our session at Elmfield House yesterday afternoon the topic of conversation moved on from magical words to magical sounds and Leonard revealed that it is not only Jesus’ words in the Gospels that could be classified as magical techniques but also the sounds that he made. He asked me to re-read Mark 7:34 and observe the groan that Jesus emits during the healing of the deaf-mute. I failed to understand the implications of the sound at first (a groan is an entirely natural noise, isn’t it?) but to Leonard it represented so much more.

He explained that the magicians of antiquity would often emit strange noises during their magical rituals and groaning in particular was associated with the magical manipulation of the dead. He gave the example of the magicians in chapter eight of the Book of Isaiah who consult the dead by ‘chirping and muttering’ and he said that the popular - albeit often derogatory - title of ‘goes’ that was applied to lower class magicians derives from the Greek verb form of goes (‘to groan’) due to the loud cries and groans that these magicians would employ when contacting the dead. Since groaning and other similarly strange sounds were frequently employed during these common magical practices, Leonard argued that we cannot ignore the parallels between groaning as a magical technique and the presence of a groan in Jesus’ healing ministry.

Jesus’ use of foreign words and groaning noises in the Gospel healing accounts did seem very suspicious, but I was eager to find out how Leonard felt about the healing stories that did not use spoken words or sounds but instead involved physical techniques. For instance, I have always found Jesus’ application of mud and spittle to the eyes of the blind to be particularly odd, but perhaps this was a healing technique that was commonly employed in the ancient world? 

Leonard explained that the medicinal value of spittle has been extensively recorded in a number of Jewish, Greek, Roman and early Christian sources and it was particularly recommended for the treatment of minor eye diseases and skin conditions such as boils, sores and snake bites. However he was quick to add that there is no evidence to suggest that saliva was considered to be a cure for blindness and, most significantly, it appears that most ancient spittle cures owed their effectiveness to common superstitions rather than the medicinal properties of the saliva itself. He said that the act of spitting was employed for a variety of magical purposes in antiquity (such as to increase luck, to curse enemies or to ward off epilepsy and witchcraft) and the influence of this magical thinking on spittle healing cures is evident in the popular belief that a cure could not be achieved by the application of just anyone’s saliva - as would be expected with a medicinal cure - but the saliva must come from a prominent healer, magician or an individual with important social standing such as a king or prince. In view of the popularity of these widely-held superstitions regarding the magical use of saliva, Leonard argued that Jesus’ mud and spittle healing could be easily explained; Jesus is exploiting his patient’s confidence in the magical benefits of spittle and the application of Jesus’ spittle - when combined with his reputation as a powerful healer - would have been a very potent remedy in the mind of a patient who was suffering from a psychosomatic illness…


Leonard’s rationalisation of this healing story made perfect sense, but he has an exceptional ability to explain these miracle stories in such a straightforward and matter-of-fact way that I am almost disappointed that the mysterious elements of these stories are so easily dispelled. In fact rather than imposing magic upon the Gospels, I feel that Leonard is taking a great deal of the magic out of them for me!

Blood, phlegm, choler and melancholy


Thursday, 25 March

I am finding it difficult to remember the finer points of my conversations with Leonard and so I have resolved to write on this blog as often as possible and as soon as I can after each session. But that is easier said than done in view of demands from my undergraduate studies and Alex’s prying eyes. So please accept my apologies if these posts are slap-dash at times and I am careless with my words; I am eager to record every detail from my visits to Elmfield House but I have a limited time frame in which to write and this diary/blog keeping business is proving to be a seriously daunting learning curve. I realise that I will not become the next Anne Frank or Samuel Pepys overnight!

The sittings for the portrait have been very enjoyable so far, although, as I have mentioned before, they have been a little uncomfortable at times. It all depends on positioning; facing the window is ideal, the bookcase is tolerable, the wall is bearable but staring at the floor for more than half an hour is not only excruciatingly boring but it always brings on a melancholy depression for the remainder of the day, not to mention a crick in the neck. Sitting for Leonard can be absolute agony some days and maintaining a conversation can be difficult when eye contact is restricted. Fortunately conversation has been flowing easier between Leonard and I and we have been sharing more about our personal lives and our everyday activities than ever before. I tell Leonard about my lectures at the university and any amusing anecdotes from weddings or funeral services that I have played for and Leonard tells me about his life, his future plans for our work and Luke (his other muse) who I am to meet very soon. 

Although I find our discussions to be very interesting indeed, after a while my head will begin to droop like a wilting flower-head and when Leonard detects that I am tiring he will lift the mood by putting a cassette tape into the old hi-fi stereo system on the shelf by the door and playing some background music; usually a mix-tape of Chopin nocturnes, the sharp counterpoint of a Bach fugue and his favourite piece of music: ‘Melodie (Dance of the Blessed Spirits)’ from Christoph Willibald Gluck’s opera Orfeo and Eurydice. I am always grateful for a little muzak following a morning lecture at the university as I am invariably too tired to pursue an academic discussion into the afternoon and it serves to cover the otherwise awkward silences that Leonard will punctuate with random directions such as “lift your head higher…and a little to the right….chin up a bit…that’s perfect”.

The main topic of conversation at our last session was illness, disease and the function of placebos. I had mentioned in an off-hand manner that there is a particularly virulent flu virus in circulation at the moment and Leonard’s impassioned response revealed that he has very forthright opinions about sickness and recovery. He is a firm believer that most illnesses are entirely psychosomatic and he told me that his father had avoided visiting a doctor throughout his entire lifetime, except on one occasion when he accidentally plunged a pitchfork into his foot while digging in the garden. “Poor health,” Leonard declared, “can most often be ascribed to a mental fixation or, if the problem does not reside in the mind, then it can be attributed to an imbalance in the proportions of the humours of the body: blood, phlegm, choler, melancholy.” The confidence and sincerity with which he said this sounded very outdated in a time of antibiotics and neurosurgery and the next time that I am changing in the bathroom I will be sure to check the bathroom cabinet for jars of leeches and maggots (interestingly on that point, Leonard does not appear to have any medication in the house whatsoever, which is surprising for a man of his age). 

Leonard recommends that the best remedy for most ailments is to continue to work, but take short and regular periods of rest and drink a concoction of herbal teas in order to keep the systems of the body in working order. He has promised to teach me about the medicinal properties of herbs and introduce me to the basic herbal teas that I should drink ‘in order to combat the complexities of modern life’. There is a rather large collection of herbal teabags in the kitchen and I have noticed that the aroma of Leonard’s tea varies from day to day. As a non tea or coffee drinker, this will certainly present a challenge!

One last thing, I have been visiting the university library at lunchtimes to investigate the allegations of magic that were made by Jesus’ enemies, the importance of secrecy in ancient magic and the strange words that are spoken by Jesus in the healing stories of Mark’s Gospel. I have been equally shocked and relieved to discover that supporting evidence exists for each of Leonard’s theories and in many ways discovering that these stories are not the fantastical conjecture of an over-imaginative old man has inspired me to learn more from him. Leonard’s simple question ‘do you believe in magic?’ is proving to be the biggest and most attractive incentive for learning that any teacher has ever placed before me.

Abracadabra Amen



Thursday, 18 March



Leonard and I had another sitting for the portrait yesterday afternoon. I am enjoying these sessions but the drawing process still feels quite unnatural and it can be difficult to bear at times. Leonard sits at an angle to me, constantly flicking his eyes sharply between me and the top of the drawing board that balances rather precariously on his lap. Occasionally he will stop drawing and thrust out his arm, close one eye and take a measurement using the end of his pencil - all he needs to do is stick his tongue out of the corner of his mouth and the caricature of the mad artist would be complete! The sessions are generally relaxed and our conversations are very animated at times, but once in a while he will fall abruptly silent, furrow his brow in deep concentration and there is a tense atmosphere in the workroom. I keep absolutely silent when he enters into this state of mind, fearing to interrupt him like a patient at the mercy of a surgeon with a sharp scalpel. Every so often he will stand out of his chair and walk over to me to adjust my clothing or take a measurement and, although Leonard’s measurements are rarely intrusive, some precise measurements never fail to make me uneasy. For instance, when he comes close to my face I continue to stare at the wall behind him as though I am sitting for an eye examination and try to ignore the fact that he is holding the tip of a very sharp pencil only a few millimetres from my eyeball. 

We have established a set routine from the moment that I arrive at the house: we begin with a brief chat before commencing work during which Leonard drinks a mug of herbal tea (or a small Armagnac if the weather is particularly cold outside) while I acclimatise myself to the temperature in the workroom, then I remove any additional clothing such as jumpers or cardigans (or head into the bathroom to change my entire outfit if necessary) while Leonard cleans his mug in the kitchen sink, feeds Hooter to keep him out of our way and returns to the workroom with a jug of water and his biscuit tin full of assorted lengths of charcoal, pastels and pencils. I will then (begrudgingly) leave the comfort of the armchair and take my place on the red plastic school chair in the centre of the room and Leonard will set about positioning me so that we can continue from our last point of reference. 

The ten minutes or so that we have before starting work permits only a polite discussion of the weather and popular news stories, but since our conversation in church a week or so ago I have been attempting to steer Leonard once again towards the subject of Jesus and magic. Writing about Elmfield House and our portraiture sessions is all very interesting, but I need far more juicier material to keep my reader entertained! Unfortunately Leonard has been avoiding this subject with an admirable degree of dexterity and so yesterday afternoon, fearing that he would not mention it again, I decided that a direct course of action was necessary. I asked Leonard about the exotic locations that he has visited during his photography trips and mentioned - quite blatantly and in a clearly contrived manner - that I had heard that some tribal communities have a fear of photography because they believe that a camera can magically capture the soul of a man in a photograph.

“Well, indeed, they may well have considered me to be a magician,” he replied, taking his mug and the last sip of his tea.

A guarded hesitancy crept into his words at that point and he stood to take his mug into the kitchen, thereby bringing our conversation to an abrupt end. I thought that he had masterfully avoided the subject once again and I had lost the opportunity to press him further on the matter, but then he came back into the room, placed the jug of water on the floor and said “I expect you want to know details, the reasons why his opponents branded him a magician, don’t you?”. I nodded my head and grinned in response, but rather than indulge me straight away he bent forward in his chair, prised open the biscuit tin at his feet, selected a pencil and started to scrape away at the pencil with his penknife. Taking my cue to begin work, I removed my cardigan and walked over to the red plastic chair in the centre of the room (which, for a punishingly-shaped school chair, is surprisingly comfortable). 
 

Leonard began by explaining that Jesus’ followers - both ancient and modern - defend Jesus from his opponents’ allegations of magic by highlighting the fact that the Gospel writers do not record any instances of Jesus engaging in elaborate magical rituals and, on the contrary, he most often performs his miracles using a simple spoken command. Although Leonard did not dispute this observation, he was quick to point out that an appeal to the spoken word is not an adequate defence against the practice of magic and, on the contrary, it may place Jesus under even greater suspicion of using magical techniques. 

He said that the ancients believed that both the written and spoken word contained a mystical energy that was capable of producing miraculous effects and this confidence in the miracle-working power of words is evident in both the Old and New Testament: the book of Genesis opens with God creating the world through a series of spoken pronouncements and the Gospel of John begins with ‘in the beginning was the word’. The early magicians considered words to be equally as powerful as, if not superior to, the physical techniques of ritual and the shape and sound of a word was credited with equal importance as its meaning, often to the extent that the success of a magical ritual was dependent upon the correct pronunciation of the words or sounds written within a magical text. It was therefore essential that the words contained within a magical text were preserved in the language in which they were first written and translating these words into other languages was resisted. Unfortunately, as Leonard pointed out, this tradition of resisting translation has led to the original meanings of many ancient magical words being lost over time and their magical significance is no longer recognised in the modern age, however he said that a small number of magical words still survive in their original form and they are still recognised as magical words to this day.

I listened intently as Leonard scratched away with his pencil on the surface of the paper. He didn’t look up once from his drawing board, which made me wonder whether he was sketching me or whether he was simply doodling, but then he paused, stared at the nib of his pencil, threw it back into the biscuit tin and selected another short stubby pencil.


“Let me give you an example of this," he said as he continued to draw, “tell me some magic words that you remember from your childhood…”

I searched my memory for something suitable and replied “Hocus pocus? Alla-kazam? Abracadabra?”

“What is the meaning of the word ‘Abracadabra’?” he asked.

“I have no idea.”

“And yet you consider it to be a magical word?”

“Well, maybe when I was a child, not so much these days…”

“Why not so much these days?” he pressed.

“It’s difficult to believe in the magical power of words as an adult…”

“Really?” he interrupted, “what about the word ‘Amen’? How many adults believe in the magical power of that word?”

I smiled. Point taken. 

Taking ‘Abracadabra’ and ‘Amen’ as examples, Leonard said that whether we truly believe in the magical power of words or not, we still recognise ‘Abracadabra’ and ‘Amen’ as magical words today and they have therefore successfully made the transition from ancient word of power to modern word of power. However he said that these are ‘the lucky survivors’ because most archaic words of power have become incomprehensible gobbledegook over time and we would not associate them with magical activity if we encountered them in either an ancient or modern text. 

Leonard then turned his attention to the Gospel stories and he explained that Jesus may have used several words when performing healings that were widely recognised by his contemporaries as magical terms, but unless he said ‘abracadabra’ or another word that is still considered to be a magical word today, his terminology would not strike the modern-day reader as suggestive of magical activity.  At that point I asked outright whether Leonard was implying that Jesus used magical words when performing his miracles, to which he paused and sat back in his chair, then reached up to a nearby shelf and fetched down a bible. It was the largest bible that I had ever seen; a huge, dusty King James Version that would stop a lorry in its tracks (Leonard will only use the KJV for his bible study because he says that modern versions ‘water down the translation into an unidentifiable and shameful mess of apologetic, pseudo-cool and political correctness’ and, having considered the evidence, I am inclined to agree with him). 

Thumbing through the pages, he squinted through his glasses to check the verse numbers and then passed the bible to me and asked me to read Mark 7:32-37 and identify the word that Jesus uses to heal the deaf-mute. I scanned through the passage until I came across the word ‘ephphatha’. I had encountered this healing story many times before in my studies but for some reason I had entirely overlooked the peculiar nature of this word until Leonard brought it to my attention.

Leonard said that some of the healing commands that are spoken by Jesus are simple imperative commands and - since many psychologists and biblical scholars agree that the illnesses cured by Jesus may have been simply hysterical disorders - if an individual’s illness is merely psychosomatic then a sharp authoritative command directed at the patient could instigate or reverse a psychological process, which in turn could bring about the cure. I understood the rationale behind this and I was willing to accept it as a reasonable explanation for how Jesus’ healing miracles were achieved, but that was until Leonard pointed out that the deaf-mute in Mark 7 is deaf and therefore Jesus’ spoken command cannot have prompted a psychological reaction. Leonard also pointed out that the word ‘ephphatha’ is transliterated into Greek from an Aramaic word meaning ‘to open’, so the deaf-mute may have been unfamiliar with the meaning of the word even if he had perfect hearing. In this particular case the efficacy of the healing command cannot have been dependent upon the word being heard by the patient and it appears the word itself possessed healing properties that directly instigated the cure. 

Taking the bible from me, Leonard flicked through the pages again and handed it back to me opened on a different page. He asked me to read the account of the healing of Jairus’ daughter in chapter five of the Gospel of Mark in which Jesus brings a young girl back to life using the (yet again Aramaic) command ‘Talitha Koum’, which the author of Mark somewhat self-consciously translates for the reader as ‘little girl, I say to you arise’. Leonard asked for my opinion on this Aramaic command and again I answered that the strangeness of the phrase had not been evident to me before. Leonard smiled and he said that the other Gospel writers clearly considered this phrase to be a little too strange for their liking too, as the author of Luke simply replaces it with the Greek command ‘child, arise’ and the Matthean version removes the healing word altogether.

Leonard proposed that Matthew and Luke scramble to explain or omit these peculiar healing commands because they imply that Jesus used foreign - and possibly magical - words in his healing ministry. “And yet,” I enquired, “the author of Mark has no problem with the inclusion of these strange words in his Gospel?”. Leonard acknowledged my observation and he answered that the author of Mark may have included these commands in his Gospel because he believed that Jesus’ words had a magical function in these instances and he was familiar with the importance of preserving magical words of power in their original language. Alternatively, the author of Mark may not have considered the words to be magical himself but he felt obliged to include them as such due to the fact that they were well-known magical formulas that were commonly associated with Jesus’ healing ministry. Leonard said that if the commands that were spoken by Jesus were unfamiliar to his audience and/or the people thought that Jesus’ words possessed an inherent magical effectiveness, then these words may have been adopted by the witnesses to Jesus’ healings and exorcisms who were eager to perform the same miracles themselves; a sort of do-it-yourself miracle kit, if you like. Hence the popularity of these particular words amongst the people may have forced the author of Mark to consider it unavoidable and necessary to include them in his narrative, regardless of any personal objections that he may have had to their inclusion.

I had not paid attention to these healing commands before and they had seemed so natural and unobtrusive when I encountered them in my undergraduate classes, but, as is often the case when your attention is drawn to a matter that you have accepted willingly and without question for some time, the longer that I studied these words, the more they popped out of the page at me and the more I questioned my understanding of them. And, if I am honest, the more they began to resemble magical words, much like ‘abracadabra’. I was seeing these Gospel passages in a completely new light and I was disappointed that I had not questioned the meanings of the words before. If our discussion yesterday afternoon has taught me one important lesson it is that I am painfully naïve at times and I should look deeper into subjects when they are presented to me rather than blindly accepting them at face value. After all, there is no harm in re-evaluating evidence that one has previously – and perhaps mistakenly – accepted as truth.